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‘Tomorrow: London’ presents the work of twenty graduates of Fine Art Masters courses from the London colleges of Central Saint Martins, Goldsmiths, Royal College of Art, Royal Academy Schools and Slade School of Fine Art. Each week, work by five artists is featured, concluding with a showcase bringing together all the exhibited graduates
In celebration and support of Fine Art education in London, ‘Tomorrow: London’ offers a platform for a diverse range of artistic voices engaged with many current and urgent cultural debates including identity politics, de-colonialisation, shared and personal histories and environmental issues.
Graduates have been selected by members of White Cube’s curatorial team: Irene Bradbury, Hannah Gruy, Susannah Hyman, Toby Kamps, Capucine Perrot and Soraya Rodriguez.
All sales proceeds will go directly to the artist.
Week 4
Harminder Judge | Sholto Blissett | Olga Ulmann
Ella McVeigh | Bo Choy -
Harminder Judge
Born 1982 in Rotherham, England
Lives and works in London and Berlin
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'My practice has spanned performance, video and installation channelling Gene Simmons and Kali, Hindi mythology, sci-fi, pop-culture and identity. More recently I have turned to making sculptures inspired by tantric abstraction from Rajasthan.'
- Harminder Judge, 2020
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Harminder JudgeUntitled (temporal crossing), 2020Plaster, polymer, scrim, pigment, oil, wax, ash
177 x 90 x 8 cm | 69.7 x 35.4 x 3.1 in.Find out more -
Harminder JudgeUntitled (cyclical providence), 2019Plaster, polymer, scrim, pigment, oil, wax32 x 42 x 4 cm | 12.6 x 16.5 x 1.6 in.Find out more
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Harminder JudgeUntitled (red pyre), 2019Plaster, polymer, scrim, pigment, oil, wax, ash
42 x 31 x 17 cm | 16.5 x 12.2 x 6.7 in.Find out more
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Sholto Blissett
Born 1996 in Salisbury, England
Lives and works in London
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'At first glance my fictional landscapes evoke the Western conflicts between the human and nonhuman. Yet gradually they turn us towards the Sublime realisation that these two notions are indivisible.'
- Sholto Blissett, 2020
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Olga Ulmann
Born 1983 in Alma-Ata, Kazakhstan (former Soviet-Union)
Lives and works in London and Frankfurt
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'My own body is the starting point of my artistic approach, where my practice derives from biographical roots including my upbringing in the former USSR alongside investigations into the historical framing of femininity.'
- Olga Ulmann, 2020
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Olga UlmannClinamen and Skulptiere (Clinamen and Sculptural Animals), 2020Sewn white plastic sheet, wood, flag holder, golden spray paint, latex, construction foam220 x 180 x 230 cm | 86.6 x 70.9 x 90.5 in.
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Olga UlmannHuman Quilts - as in invisible female labour - nobody knows I am also working class , 2019Fabric, concrete, metal poleDimensions variable (approx. 220 x 50 x 90 cm | 86.6 x 19.7 x 35.4 in.)
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Olga UlmannLenin’s Podium, 2019Wood weathered over seven years, sewn together pink plastic holders, glass screen, iPAD (duration of video is approx. 120 minutes)180 x 200 x 100cm | 70.9 x 78.7 x 39.4 in.Find out more
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Ella McVeigh
Born 1992 in London, England
Lives and works in London
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'The world we perceive is more complex than the verbal language we have at our disposal to describe it. I feel that painting has a capacity to offer insight into experience in a manner that can surpass the scope and range of our language-based thoughts.'
-Ella McVeigh, 2020
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Ella McVeighBig Fish Eat Little Fish, 2019Oil and acrylic on canvas180 x 150 cm | 70.9 x 59 in.Find out more
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Ella McVeighBlue Lias II, 2020Oil on canvas130 x 110cm | 51.2 x 43.3 in.Find out more
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Ella McVeighBig Fleas Have Little Fleas, 2019Oil and acrylic on canvas180 x 150 cm | 70.9 x 59 in.Find out more
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Bo Choy
Born 1986 in Hong Kong
Lives and works in Hong Kong and London
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'Often borrowing aesthetic tropes from Far Eastern folklore traditions and rituals, my use of costumes and fiction results in works that merge the everyday with the fantastical, the mythological and sometimes the absurd.'
-Bo Choy, 2020
